In 2019, Sullivan and Stacy begun collaborating with Svenskt Tenn inside designer Julia Prytz, who experienced hardly ever orchestrated these types of a robust ode to the brand name right before. “We normally blend our pieces with other people that the clientele previously have, but this was an vacant household, so it was an abnormal but great opportunity for me,” says Prytz. “These tricky-working girls have a Scandinavian sensibility, and they just fell in like with every thing they observed at Svenskt Tenn.”
As Stacy gravitates toward bright maximalist tones and Sullivan’s style skews midcentury modern, the types could enable them marry their two aesthetics. With this in brain, Prytz embraced Svenskt Tenn’s philosophy of layering a number of patterns, shades, and resources to conjure “European elegance, warmth, and a homey essence,” as she puts it.
The imaginative process initially unfolded more than video calls involving Prytz, Stacy, and Sullivan. “Julia is a brilliant designer and experienced an fast knowing of our tastes and what we needed to do. She is aware of all the colour combinations in her head and commenced to sketch,” Sullivan remembers. (Hanna Lundborg, who no for a longer period operates at Svenskt Tenn but managed all of the project’s several facts, was also indispensable, Sullivan stresses.)
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Then, Prytz, armed with samples and temper boards, flew in from Sweden to see the rooms up close right before Sullivan and Stacy returned to an increasingly familiar Stockholm to “test just about every sofa and stool,” Sullivan claims. “We were permitted to remain following closing time and it was like becoming in a museum at night, by yourself with almost everything so exquisitely arranged.” Prytz also took them to see home furniture from other Swedish brand names, like Asplund and Källemo, to bolster the in any other case whole-on Svenskt Tenn interiors.
A couple of months afterwards, the bevy of delivered products was installed underneath Prytz’s supervision. She fondly remembers Stacy and Sullivan’s reactions to every single of the products as they ended up lifted from crates: “Every piece that arrived out they liked. It was a really happy procedure,” she states.
Svenskt Tenn household furniture and textiles, Sullivan notes, were being initially built for individuals contending with darkish, brooding winters. The exuberant palette “was a welcome source of uplift.” But even in sunny southern California, Sullivan and Stacy take pleasure in its nuances, these kinds of as the inexperienced pillows on the guarded veranda that mimic the encompassing grass. “We wake up each working day,” says Sullivan, “full of joy at the elegance of our home.”